Director: this project was a loose cannon
Writers: Vomitron and Coventry
Release year: 2009
What was I thinking…
Thinking it would be a a piece of cake giving every single film we watched at the 27th Brussels International Fantastic Film Festival a treatment on our site. I sure underestimated the amount of work that would go into this crazy idea. So it took a bit more time and effort than I at first anticipated to get this overview completed…
Directors: Nicolas Alberny and Jean Mach
Writers: Nicolas Alberny and Jean Mach
Release year: 2008
Many things changed since Alice visited the first Wonderland…
There are millions of people around the globe that are fed up with the way things are going in this world. What if they had the chance to unite in a virtual nation and were offered the opportunity to make a difference…?
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Director: Tinto Brass
Writer: Tinto Brass, Pierre Lévy and Francesca Longo, based on a novel by Sergio Donati
Release year: 1967
English title: Deadly Sweet
Everybody loves something sweet.
Deadly Sweet is truly a giallo filled with the traditional elements of mystery and crime, also incorporating so many elements of pop art and psychedelia, along with a very addictive rock soundtrack. This film had me in the first 10 minutes.
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Director: Massimo Dallamano
Writer: Bruno Di Geronimo, Massimo Dallamano and Peter M. Thouet, based on a novel by Edgar Wallace
Release year: 1972
English title: What Have They Done To Solange?
Catholic school girls rule. Their lives being shortened regardless, they rule.
When a killer, disguised as a priest, starts murdering girls from a British private school, a philander Italian teacher quickly becomes the prime suspect. But as the bodycount rises, things become more and more complicated and a mystery is waiting to be unraveled.
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Director: David Cronenberg
Writer: Norman Sinder and David Cronenberg based on a book by Bari Wood and Jack Geasland
Release Year: 1988
Love is the deadliest disease
Few filmmakers have a style as clearly defined as Canadian director David Cronenberg, whose career has been developed on a constantly evolving path moving from the themes of extreme physical horror of his early years (which culminate in the awesome remake of “The Fly” in 1986) to the subtler, psychologically oriented (though no less disturbing) themes of his recent work. Like a trip from the outer body horror to the inner one, the one of the mind.
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